tag:blogger.com,1999:blog-12338380870982544062024-02-20T04:33:24.146-05:00VOLKSEMPFÄNGER: ARTWORKS BY dAVID K.Photography. Works on Paper. Readymades. Paintings. Trouvé Public Art. Altered Propaganda. NSK Volkskunst.david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comBlogger93125tag:blogger.com,1999:blog-1233838087098254406.post-65399431489024467582017-02-09T20:36:00.001-05:002017-02-09T20:36:30.121-05:00NEW WORK: AFTER RENATO BERTELLI [USA 2017]<br /><div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOZU-SZr1-zG3-5DVTuYygs7B53xO4xHi5lE1s5DqZghsbKzoAJ38CT5n3zYiIJhPpjmal-IStRPNlTemFie9miSmPHU4Vny-U0HVgpL1yTeFgQXdmkhbx7g5tnk82mVUhdsTvUA7460dC/s1600/MangoMusso%2525.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOZU-SZr1-zG3-5DVTuYygs7B53xO4xHi5lE1s5DqZghsbKzoAJ38CT5n3zYiIJhPpjmal-IStRPNlTemFie9miSmPHU4Vny-U0HVgpL1yTeFgQXdmkhbx7g5tnk82mVUhdsTvUA7460dC/s640/MangoMusso%2525.jpg" width="500" /></a></div>
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<i><span style="font-size: xx-small;">After Renato Bertelli [USA 2017]</span></i></div>
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<span style="font-size: xx-small;"> Variable edition printed on kraft paper<br />(Second edition printed on Russian issue Donbass surety bonds)</span></div>
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<br />david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-42472797395032515932016-11-15T22:35:00.002-05:002016-11-15T22:37:18.041-05:00FOUND OBJECT ART: EUROSCEPTICISM<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWyoDQCRTVlkmCqusqyxfcOYBUmlnZ34fMEIH9h4kuBZ8N1Z_yFchVvhmZ4Y8Q_sJxH3H2mi7t_VnSGrX-J0KMB4gALhPind2FtuA_IYKw0QUysMlOWEt_10PkM7YBM5LqHOitoWjyeQYI/s1600/Euroskepticism%2525.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWyoDQCRTVlkmCqusqyxfcOYBUmlnZ34fMEIH9h4kuBZ8N1Z_yFchVvhmZ4Y8Q_sJxH3H2mi7t_VnSGrX-J0KMB4gALhPind2FtuA_IYKw0QUysMlOWEt_10PkM7YBM5LqHOitoWjyeQYI/s640/Euroskepticism%2525.jpg" width="640" /></a></div>
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<span style="font-size: xx-small;"><i>Euroscepticism</i><br />Found object: disbound book covers</span></div>
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david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-19255498292022882022014-11-19T16:57:00.002-05:002014-11-19T16:57:29.935-05:00DARK MATTERS: VAN DE GRAAF PARTICLE ACCELERATOR<br />
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Recent photographs from the inside of a decommissioned tandem Van de Graaf particle accelerator:<br />
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The decommissioned particle accelerator is located in an underground facility at Wright Lab on Yale Campus. When it was first installed in 1987, the accelerator was the highest-energy tandem accelerator in the world. Operating at 22 million volts, it generated high-velocity streams of nuclei, allowing for investigations in nuclear astrophysics, anti-matter and dark matter, and heavy ion physics.</div>
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The site’s original atom smasher was installed in the late 1960s and was upgraded in the 1980s. The tandem Van de Graaf accelerator was shut down in 2011 and will be removed from the underground lab next year.</div>
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<span style="font-size: xx-small;">The accelerator in action. Photo courtesy Yale Physics Dept.</span></div>
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david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-67980372872845654602014-08-07T11:31:00.001-04:002014-08-07T11:31:59.830-04:00STUDIO WORK: CARTOGRAPHIC SUPREMATISM<div align="center">
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New photographic studio works derived from Kazimir Severinovich Malevich Suprematism with Eight Red Rectangles, 1915 and an early 20th century map of Kiev:</div>
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<span style="font-size: xx-small;">Experimental Cartography: Suprematist Rectangles</span></div>
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<span style="font-size: xx-small;">Photographic laser print on paper</span></div>
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<span style="font-size: xx-small;">10 x 8 inches</span></div>
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<span style="font-size: xx-small;">2014</span></div>
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david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-15621470059947669772014-02-02T16:57:00.000-05:002014-02-02T17:18:46.165-05:00ELEMENTS OF CONTROL - PLURAL MONOLITH<div style="text-align: center;">
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<span style="font-family: Times, Times New Roman, serif;">This is the first published image of the artist david K's recent sojourn, which started in Moscow and concluded in Berlin in the fall of 2013. </span></div>
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<span style="font-family: Times, Times New Roman, serif;">The 'triptych' simultaneously depicts three significant elements of control from modern history in a single frame: a closed-circuit surveillance camera mounted to the side of the former Nazi Ministry of Aviation (or Reichsluftfahrtministerium), seen through a hole in the still-extant Berlin Wall standing on Wilhelmstrasse<span style="line-height: 16px;">.</span></span></div>
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<span style="font-family: Times, Times New Roman, serif;">The physical and psychological weights of stone elements in this work are reminiscent of the title of Dr. Alexei Monroe's monograph <b><i>Pluralni monolit (</i></b><i><b>Plural Monolith)</b></i>, which served as the photograph's <i>de facto</i> name during processing.</span></div>
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<span style="font-size: xx-small;">Chromogenic photograph on Fuji Crystal Archive</span></div>
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david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-3665817419588333302014-01-06T23:46:00.000-05:002014-01-06T23:46:00.060-05:00ANEMIC CINEMA: RETROGARDE ROTORELIEFS<div style="text-align: center;">
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Reworking<span style="font-family: Times, Times New Roman, serif;"> of the 19</span>26 dadaist film <span style="font-family: Times, 'Times New Roman', serif;">Anémic Cinéma </span>by Marcel Duchamp,</div>
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art / music collective Laibach:</div>
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The film has been debuted on Laibach.org under the section <i>Volkskunst</i>.</div>
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david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-15330817466969837632013-11-25T16:34:00.000-05:002013-11-25T16:34:13.524-05:00NSK STATE DACHA<div align="center">
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27 December 2013</div>
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<span style="font-size: xx-small;">Installation with multimedia performance</span></div>
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Program information to follow.</div>
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david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-17674233033187247142013-10-02T22:05:00.000-04:002013-10-02T22:08:44.870-04:00INSTRUMENTS OF THE STATE MACHINE<div style="text-align: center;">
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This year's New Haven Citywide Open Studios Alternative Space will be held at the New Haven Armory on Goffe Street. To commemorate the 1930 Armory and the military band that performed there, the slogan of this year's event is <i>Réveillé.</i> Working within this theme (and subsequent size restrictions) was facilitated by cadging and re-assembling many marching band instruments - nationalistic 'instruments' in and of themselves. The artist played Laibach's album of anthems, <i>Volk,</i> continuously for inspiration. </div>
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The result is an impossible, daDa-esque object that celebrates the machine age beauty of repetitive cylindrical forms, embraces the simultaneously unifying and divisive traits of national anthems, and bears a title that lends homage to the LAIBACH exhibition document</div>
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INSTRUMENTALNOST DRŽAVNEGA STROJA</div>
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(INSTRUMENTALITY OF THE STATE MACHINE)</div>
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<span style="font-size: xx-small;">Instruments of the State Machine: Nine Valve Rotary Engine</span></div>
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The work will be on display the entire month of October at:</div>
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50 Orange Street</div>
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New Haven, Connecticut, USA</div>
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In an unexpected stroke of good fortune, the work will be displayed in a section of the gallery with yellow painted walls, not unlike the 2011 NSK Folk Art exhibition held at the Galerija Škuc in Ljubljana, Slovenija.</div>
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david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-16261765920276657532013-06-25T20:00:00.000-04:002013-06-25T20:01:01.867-04:00INCIDENTAL IRWIN<div style="text-align: center;">
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Some framed artworks arrived today,</div>
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quite unintentionally IRWIN -esque:</div>
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david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-60686342913403262013-04-27T00:08:00.001-04:002013-04-27T00:08:51.481-04:00APELLES ZYABLOV: THE LOST WORKS ON PAPER<div style="text-align: center;">
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Following the 'discovery' of the world's first abstract art by Vitaly Komar and Alexander Melamid - the gold-framed black canvases of eighteenth century artist Apelles Zyablov, here is a series of previously unseen works on paper attributed to the same elusive source:</div>
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david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-35232751538225300392013-04-21T23:43:00.000-04:002013-04-21T23:43:01.363-04:00ELI WHITNEY MUSEUM LEONARDO CHALLENGE<div style="text-align: center;">
Annually the Eli Whitney Museum celebrates invention and innovation with a fundraiser named for Leonardo da Vinci.</div>
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This year, the theme of 'the brush' inspired this entry - noting the role of the brush in the work of another great inventor of all time, Nikola Tesla. Here, Tesla is immortalized in Byzantium Icon style with a halo engineered from a brushless polyphase AC induction motor armature:</div>
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david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-4553755613496841462013-04-06T00:49:00.001-04:002013-04-06T07:46:21.710-04:00WE ARE TIME: MENSCHEN DER ZEIT<div style="text-align: center;">
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Series of 37 serigraphs experimenting with occupation symbolism employed in Slovenia during WWII, culled from overprinted postage stamps recirculated in Yugoslav territories:</div>
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The eagle motif used during the Italio-German occupation of Ljubljana / Laibach has been</div>
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re-appropriated and printed on pages from the 1931 book <i>Menschen Der Zeit</i>, featuring photogravure portraits of German literary and artistic notables, including</div>
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oft - NSK quoted artist Georg Kolbe.</div>
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Georg Kolbe from variable series <i>Menschen der Zeit</i></div>
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Silkscreen on found book page</div>
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david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-79115259129866584322013-04-06T00:02:00.000-04:002013-04-09T07:03:53.055-04:00NSK FOLK ART: MINISTRY OF TRUTH<div style="text-align: center;">
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Study after Innenraum by Anselm Kiefer</div>
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inspired by University of London Senate House Crush Hall</div>
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Innenraum: Senatshaus (after Anselm Kiefer)</div>
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Three color silkscreen on black 300gsm cotton rag paper</div>
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david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-72002084824757252562013-04-05T23:36:00.000-04:002013-04-06T07:47:19.839-04:00GRADITELJI, LEAD HORIZON<div style="text-align: center;">
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Still life study of Silicijev Horizont, 1988</div>
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after NSK division Graditelji (The Builders)</div>
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Study after Graditelji: Svinec Horizont<br />
Lead type and light rail plan<br />
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david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-23104500295704422582012-10-18T16:31:00.000-04:002012-10-18T16:31:40.248-04:00NSK at CWOS<div align="center">
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dAVID K. will be presenting a site-specific installation of NSK derivative art for New Haven Citywide Open Studios.</div>
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The exhibition will take place for two days at the 'Alternative Space', formerly the Gant shirt factory and the decommissioned New Haven Register printing plant, and the installation will be configured in a restricted zone at the end of the large presses.</div>
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Intermittently during the exhibition, the installation space will become a <em>tableau vivant</em> depicting the <strong>Nova Akropola.</strong></div>
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Due to heightened security, admittance into the area will be denied to non - NSK passport holders; transit documents will not be issued for the duration of the exhibition.</div>
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Visitors may observe from outside the temporary autonomous zone. </div>
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The installation will feature contributions from Charles Lewis and Christian Matzke,</div>
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to whom the artist expresses his gratitude.</div>
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20-21 October 2012</div>
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Citywide Open Studios</div>
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Alternative Space: New Haven Register Building</div>
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40 Sargent Drive, New Haven, Connecticut 06511</div>
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david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-56436085791087632382012-03-30T20:02:00.000-04:002012-05-25T23:27:19.633-04:00FOUND NSK FOLK ART<div style="text-align: center;"><br />
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In the spirit of the NSK RETROGARDE LONDON events currently under</div><div style="text-align: center;">way, this post is a response to the IRWIN work</div><div style="text-align: center;"><i><a href="http://s3.amazonaws.com/data.tumblr.com/tumblr_m1osuvNa9s1rqyk6lo1_1280.jpg?AWSAccessKeyId=AKIAI6WLSGT7Y3ET7ADQ&Expires=1333238096&Signature=UxaLi2TB0b1x5%2FaG6HmcdYPPGpI%3D" target="_blank">Time for a New State, 2012</a></i></div><div style="text-align: center;">being erected at Elephant & Castle:</div><div style="text-align: center;"><br />
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</div>david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-54706766153325874522012-03-21T19:41:00.000-04:002012-03-21T19:41:51.940-04:00I SEND YOU THIS #E30022<div align="center"><br />
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</div><div align="center">Hexadecimal re:interpretation of the correspondence between</div><div align="center">artists John Berger and John Christie with constructivist</div><div align="center">retrogarde flair:</div><div align="center"><br />
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</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8L12e9EgTRzP4n-85qXNA3j_vJ9fiNPX15Hd_ij23pRz4FS-ppSylkcmf0q_XdfIDJ7EEz0-eTtibqxdO8qMqIxRoUgS4OaaTHIFfE5bAdqcCzcdEpBr4HODJ6AtHY6Hv3Qg2ZKD9Wiv7/s1600/%23E30022.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img aea="true" border="0" height="640px" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8L12e9EgTRzP4n-85qXNA3j_vJ9fiNPX15Hd_ij23pRz4FS-ppSylkcmf0q_XdfIDJ7EEz0-eTtibqxdO8qMqIxRoUgS4OaaTHIFfE5bAdqcCzcdEpBr4HODJ6AtHY6Hv3Qg2ZKD9Wiv7/s640/%23E30022.jpg" width="512px" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;">david K</div><div class="separator" style="clear: both; text-align: center;">I Send You This #E30022</div><div class="separator" style="clear: both; text-align: center;">(after John Berger and John Christie's 'I Send You This Cadmium Red' 2000, and</div><div class="separator" style="clear: both; text-align: center;">Lazar Markovich Lissitzky's 'Suprematic Tale about Two Squares' 1920.)</div><div class="separator" style="clear: both; text-align: center;">10 x 8 inches</div><div class="separator" style="clear: both; text-align: center;">2007</div><div align="center"></div><div align="center"><br />
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</div>david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-43132476383540491602012-03-01T16:48:00.000-05:002012-05-04T16:58:10.717-04:00PROSPECTUS: RED DISTRICTS / REDISTRICTS<div>
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<span class="Apple-style-span" style="color: white; font-family: inherit;">A continuing and recurring theme prevalent among NSK groups Laibach Kunst and IRWIN is that of</span></div>
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<span class="Apple-style-span" style="color: white; font-family: inherit;">the RED DISTRICTS (<span class="Apple-style-span" style="line-height: 16px;">Rdeči revirji</span>). </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4OKmDK-ruaEo2BUufhkEkJUteZSg0piTka6wd3W33L9f52XAlyNZxIZuEXD6iYjRissayq9FbobdynBYqiIGladjuA9kAEOxxxIyGZjVOz0u6IFIU3bMOgEhbK52KB8Rh7O4ZjiJjt5ab/s1600/IRWIN+RED+DIST.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="color: white;"><img border="0" height="282" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4OKmDK-ruaEo2BUufhkEkJUteZSg0piTka6wd3W33L9f52XAlyNZxIZuEXD6iYjRissayq9FbobdynBYqiIGladjuA9kAEOxxxIyGZjVOz0u6IFIU3bMOgEhbK52KB8Rh7O4ZjiJjt5ab/s320/IRWIN+RED+DIST.jpg" width="320" /></span></a></div>
<span class="Apple-style-span" style="font-size: 12px;"><span class="Apple-style-span" style="color: white; font-family: inherit;">Red Districts:
Size: 350 cm X 420 cm X 40 cm.</span></span><br />
<span class="Apple-style-span" style="font-size: 12px;"><span class="Apple-style-span" style="color: white; font-family: inherit;">Technique / materials: blood, coal, wood, aluminium, gold, iron, glass, marble.</span></span><br />
<span class="Apple-style-span" style="font-size: 12px;"><span class="Apple-style-span" style="color: white; font-family: inherit;">Year: 1987
Collaborators: Janez Knez, Tugo Sušnik</span></span><br />
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<span class="Apple-style-span" style="color: white; font-family: inherit;">The Laibach site cryptically describes the motiv:</span></div>
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<span style="color: white;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><span class="Apple-style-span" style="font-family: inherit;">"Upon its founding in 1980 Laibach prepared in Trbovlje its first multimedia project "Red Districts </span></span>(<span class="Apple-style-span" style="line-height: 16px;">Rdeči revirji</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><span class="Apple-style-span" style="font-family: inherit;">)", designed to challenge the striking contradictions of the political structure of the town at that time. The project was banned before it opened, which prevented the first public appearance of the group, though not the angry media response which followed. "</span></span></span></div>
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<span class="Apple-style-span" style="line-height: 16px;"><span class="Apple-style-span" style="color: white; font-family: inherit;">"The so-called Red District is an industrial area in Laibach’s hometown of Trbovlje and the surroundings. The motifs represent the factories and important architectural <span style="margin: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">and cultural</span> sites of the area. Laibach exhibited these series at their very early Laibach Kunst exhibitions in the 1980s. Reprints were made in 2010.'</span></span><br />
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<span class="Apple-style-span" style="line-height: 16px;"><span class="Apple-style-span" style="font-family: inherit;"><span style="color: white;">Those reprints are available for purchase </span><a href="http://wtc.laibach.org/laibach-kunst/" target="_blank"><span style="color: white;">HERE</span></a></span></span><br />
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<span class="Apple-style-span" style="color: white; line-height: 16px;">An initiative of the NSK Citizenry of the New York / New England is to create an aesthetic</span><br />
<span class="Apple-style-span" style="color: white; line-height: 16px;">that furthers the NSK visual culture beyond the canon of motifs prevalent in Laibach Kunst. </span><br />
<span class="Apple-style-span" style="color: white; line-height: 16px;">In the weeks leading up to the NSK Passport Office New York event held at</span><br />
<span class="Apple-style-span" style="color: white; line-height: 16px;">the MoMA, NSK Volkskunstler dAVID K. began a series of works that both reflect the</span><br />
<span class="Apple-style-span" style="color: white; line-height: 16px;">standard of Retrogarde emblematic of NSK/LAIBACH/IRWIN works, but also studied the history</span><br />
<span class="Apple-style-span" style="color: white; line-height: 16px;">of the built environment in America and its industrial roots which, like in Trbovlje, has deep roots</span><br />
<span class="Apple-style-span" style="color: white; line-height: 16px;">in mining labor. The resulting geo-social organization lends itself directly to the mapping and 'districting'</span><br />
<span class="Apple-style-span" style="color: white; line-height: 16px;">of people contingent on race, religion, economic status and political beliefs for political ends, often</span><br />
<span class="Apple-style-span" style="color: white; line-height: 16px;">resulting in Gerrymandering, or 're-districting' of areas for electoral advantage.</span><br />
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<span style="color: white;">FROM RED DISTRICTS to REDISTRICTS</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi099KQmfK_QHj64oFjbSro6KLGDGsW7RYkx7ZFNuD6gD7eoTQZyra3ApiDDW7rL7U9QHu3UATnmE0BhTaYEieFkvUX493ZFKFLJp1yyQRibIzWYZvYd9wNrDEMADXUKvMDNbrYPcfUOH3V/s1600/REDIST1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="color: white;"><img border="0" height="320" mea="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi099KQmfK_QHj64oFjbSro6KLGDGsW7RYkx7ZFNuD6gD7eoTQZyra3ApiDDW7rL7U9QHu3UATnmE0BhTaYEieFkvUX493ZFKFLJp1yyQRibIzWYZvYd9wNrDEMADXUKvMDNbrYPcfUOH3V/s320/REDIST1.jpg" width="247" /></span></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHbuhXyJ4NF_XhPBZ8rEfDHZnsErJnTggzXhiyJrbw9VXhf9635YxRpFeGKpksgqMeNUY5dwACbzvTicizje7hmtRW-R1UV6VXdGRTvvAR6gjkPPet9JHiSWBwEMZgHOt2qJaa70bUal8y/s1600/REDIST2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="color: white;"><img border="0" height="320" mea="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHbuhXyJ4NF_XhPBZ8rEfDHZnsErJnTggzXhiyJrbw9VXhf9635YxRpFeGKpksgqMeNUY5dwACbzvTicizje7hmtRW-R1UV6VXdGRTvvAR6gjkPPet9JHiSWBwEMZgHOt2qJaa70bUal8y/s320/REDIST2.jpg" width="247" /></span></a></div>
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<span style="font-size: x-small;"><span style="color: white;">Prospectus: Redistricts (after Rdeči revirji<span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><span class="Apple-style-span" style="font-family: inherit;">) </span></span></span></span></div>
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<span style="color: white; font-size: x-small;">dAVID K.</span></div>
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<span style="color: white; font-size: x-small;">Silkscreen and Xerox on heavy white paper</span></div>
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<span style="color: white; font-size: x-small;">2012</span></div>
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<span class="Apple-style-span" style="color: white; line-height: 16px;">The prospectus of this new line of work features preeminent works from early American</span></div>
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<span class="Apple-style-span" style="color: white; line-height: 16px;">artists, distilled for their socio-political content, and read through the filter of Retrogardism.</span><span class="Apple-style-span" style="line-height: 16px;"></span><span class="Apple-style-span" style="line-height: 16px;"> </span><span style="color: white;"></span><br />
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</div>david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-33968618327450074622012-03-01T14:08:00.001-05:002012-03-01T14:15:17.397-05:00STUDIO WORK: VNV NATION LIVE<div align="center"><br />
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</div><div align="center">Unauthorized VNV Nation poster with co:option of 1930s machine-age</div><div align="center">stylings of Margaret Bourke-White, as seen on the cover of LIFE Magazine's</div><div align="center">first issue in 1936.</div><div align="center"><br />
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</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghYNBxl7YZPmOVDhX9KtQVQgSw_1YS6FWaN99dyzPxI8EWrfIJWlFPSBQ3wtfQkFFBaUhgC7wZnU1YqE8WmESN3Fk724dQOtaKNfWivttYo4BqYZ5kkba45FssbFu1r5VqGL4W0HM5mjg3/s1600/VNV+LIFE.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640px" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghYNBxl7YZPmOVDhX9KtQVQgSw_1YS6FWaN99dyzPxI8EWrfIJWlFPSBQ3wtfQkFFBaUhgC7wZnU1YqE8WmESN3Fk724dQOtaKNfWivttYo4BqYZ5kkba45FssbFu1r5VqGL4W0HM5mjg3/s640/VNV+LIFE.jpg" uda="true" width="414px" /></a></div><div align="center"><br />
</div><div align="center">david K.</div><div align="center">VNV NATION: Live (is) Life</div><div align="center">Four-color silkscreen on corrugated cardboard</div><div align="center">Edition size: 20 plus proofs,</div><div align="center">Signed and numbered</div><div align="center">2012</div><div align="center"><br />
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</div><div align="center">VNV NATION LIVE</div><div align="center">TOAD'S PLACE, NEW HAVEN</div><div align="center">MARCH 11, 2012</div><div align="center"><br />
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</div>david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-46270227339929826562012-01-20T10:57:00.001-05:002012-01-31T20:49:35.469-05:00DESIGN FOR NSK PASSPORT OFFICE, MoMA NY<div align="center"><br />
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</div><div align="center">Recent design work for the NSK State:</div><div align="center"><br />
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</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGuvD3L7xu3XYMr8kp0Fugm1oqBlII_0XKdKTtzQ7jSFCFIgTWzdlLd6u5akrGYGgWFSPUa2EnZYnXRhGB0nXKdQw7Ykp_Shr0y0tzU7XQnhDvXtE0BNL9vKSNx5ZWF2SqXHV11gqQUtW2/s1600/NSKMOMAFLY1BK.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640px" nfa="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGuvD3L7xu3XYMr8kp0Fugm1oqBlII_0XKdKTtzQ7jSFCFIgTWzdlLd6u5akrGYGgWFSPUa2EnZYnXRhGB0nXKdQw7Ykp_Shr0y0tzU7XQnhDvXtE0BNL9vKSNx5ZWF2SqXHV11gqQUtW2/s640/NSKMOMAFLY1BK.jpg" width="512px" /></a></div><div align="center"></div><div align="center"><br />
</div><div class="text_exposed_root text_exposed" style="text-align: center;">IRWIN–NSK Passport Office, New York<br />
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Print Studio, in Conjunction with the Exhibition Print/Out<br />
Museum of Modern Art<br />
The Lewis B. and Dorothy Cullman Education and Research Building Lobby<br />
<span class="text_exposed_hide">...</span><span class="text_exposed_show"> 4 West 54th Street Entrance, <br />
New York, NY 10019<br />
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Wednesday, February 1, 2012, 12:00–4:00 PM<br />
Thursday, February 2, 2012, 12:00–4:00 PM<br />
Friday, February 3, 2012, 12:00–4:00 PM<br />
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NSK State Citizens' Rendezvous MoMA & Print Studio Inauguration<br />
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Thursday, Feb. 2, 2012, 6:00-9:00 PM<br />
</span></div><div align="center"><span class="text_exposed_hide"><span class="text_exposed_link">david K will be collaborating with the Retrogarde Reading Room to display various Volk Art artifacts, Laibach/NSK ephemera and published material at the event.</span></span></div><div align="center"><br />
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</div>david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-7567208294450618352011-11-18T11:54:00.000-05:002011-11-18T11:54:59.560-05:00STUDIO WORK: OCCUPIED STATES OF WALL STREET<div align="center"><br />
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</div><div align="center">Second edition of Wall Street Occupational hazard prints. This series utilizes the Laibach song title, "Wirtschaft ist Tot" (The Economy is Dead), along with the previous NSK motiv:</div><div align="center"><br />
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</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZDXf2qK_gqCA7Qsy4Dm3JTg7A8eCSXuoKy926UjqP7mh9S_JDW47Ik3ae4stz2GUY32evK5e4lvjljVsNrXfLMv74ptfcEccAEmabt_s8SyOijyAUGWJnChKLjhD66r6WaJj2TSHXhAkm/s1600/NSKwallSM.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" hda="true" height="640px" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZDXf2qK_gqCA7Qsy4Dm3JTg7A8eCSXuoKy926UjqP7mh9S_JDW47Ik3ae4stz2GUY32evK5e4lvjljVsNrXfLMv74ptfcEccAEmabt_s8SyOijyAUGWJnChKLjhD66r6WaJj2TSHXhAkm/s640/NSKwallSM.jpg" width="443px" /></a></div><br />
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<div align="center"><span style="font-size: x-small;">Occupied States: Wirtschaft ist Tot</span></div><div align="center"><span style="font-size: xx-small;">david K after IRWIN / Laibach Kunst</span></div><div align="center"><span style="font-size: x-small;">Silkscreen on found object (atlas page)</span></div><div align="center"><span style="font-size: x-small;">edition: 30 (variable)</span></div><div align="center"><span style="font-size: x-small;">15 x 11 inches</span></div><div align="center"><span style="font-size: x-small;">2011</span></div>david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-48005501513292765962011-11-15T10:23:00.001-05:002011-11-18T11:36:21.006-05:00STUDIO WORK: Mauerstraße Occupation<span style="font-family: Calibri;"></span><br />
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</div><div class="MsoNormal" style="margin: 0in 0in 10pt; text-align: center;">The Mauerstraße Wall Street Occupation edition:<span style="mso-spacerun: yes;"> </span>‘Mauerstraße’ literally translates to ‘Wall Street’- a Berlin street that converges with Friedrichstraße and Zimmerstraße at what was once Checkpoint Charlie, a crossing point in the Berlin Wall.<span style="mso-spacerun: yes;"> </span>The motif, as explained in an earlier post, is also adapted from the Laibach LP “Occupied Europe” featuring a cartographic rendition of a Georg Kolbe sculpture.<span style="mso-spacerun: yes;"> </span>The usage of NSK / Laibach Kunst themes is becoming more appropriate (and prophetic?) in light of current Occupation activities worldwide.</div><div class="MsoNormal" style="margin: 0in 0in 10pt; text-align: center;"><br />
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</div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-small;">Mauerstraße Occupation <br />
(Your Are Now Leaving the American Sector)</span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-small;"><span style="font-size: xx-small;">dAVID K.</span>Silkscreen on found object: atlas page<br />
Edition: 30 (variable)<br />
15½ x 11 inches<br />
2011</span></div><div class="separator" style="clear: both; text-align: center;"><br />
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</div>david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-17579519753521491912011-11-07T21:23:00.000-05:002011-11-07T21:23:13.948-05:00STUDIO WORK: MAUERSTRAßE MAPS<div style="text-align: center;"><br />
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</div><div style="text-align: center;">Documentation of graphic works in progress printed RE: Occupy Wall Street. The motif, "Ihr seid</div><div style="text-align: center;">nicht umsonst gefallen" (1914-1918) by Georg Kolbe, is also used in Laibach Kunst works and is most recognizable from the Laibach LP <i>Occupied Europe</i> 1985.</div><div style="text-align: center;"><br />
</div><div style="text-align: center;">The photographs, taken between silkscreened layers, add an element of cartographic</div><div style="text-align: center;">illusion to Kolbe's stoic warriors:</div><div style="text-align: center;"><br />
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</div><div class="separator" style="clear: both; text-align: center;">Mauerstraße Occupied (detail, in progress)</div><div class="separator" style="clear: both; text-align: center;">Silkscreen on found object: atlas page</div><div class="separator" style="clear: both; text-align: center;">Variable edition</div><div class="separator" style="clear: both; text-align: center;">15<span class="Apple-style-span" style="font-family: sans-serif; font-size: 13px; line-height: 19px;">½</span> x 11 inches</div><div class="separator" style="clear: both; text-align: center;">2011</div><div class="separator" style="clear: both; text-align: center;"><br />
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</div>david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-24616653289879258572011-11-04T20:27:00.007-04:002011-11-07T20:52:41.246-05:00NSK VOLKSKUNST²<div style="text-align: center;"><span class="Apple-style-span" style="background-color: black; color: white;"><br />
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</b></span></span></div><div style="text-align: center;"><span class="Apple-style-span" style="color: white; font-family: Helvetica, sans-serif; line-height: 16px;"><b style="background-color: black;">Galerija Škuc<br />
<span class="Apple-style-span" style="font-size: 12px;">Stari trg 21</span><br />
<span class="Apple-style-span" style="font-size: 12px;">1000 Ljubljana</span><br />
<span class="Apple-style-span" style="font-size: 12px;">Slovenia</span></b></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Helvetica, sans-serif; font-size: 12px; line-height: 16px;"><span class="Apple-style-span" style="color: white;"><b style="background-color: black;"><br />
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3.11. – 3.12. 2011<br />
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PETER BLASE, CHRISTIAN CHROBOK, DANAJA, DAPE, DAVID K, DREW GORDON, META GRGUREVIČ & JURE NOVAK & ANDREJ LEHRMAN, HARIS HARARIS, CHARLES KRAFFT, M.S., CHRISTIAN MATZKE, PUBLIC MOVEMENT, CHRISTAIN NNORUGA, AVI PITCHON & EMILY McMEHEN, BJORN QUIRING, ASTRID THINGPLATZ, VALNOIR, DAVID WRATNY</b></span></span></div><div style="text-align: center;"><br />
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</div><div style="text-align: center;">This exhibition of NSK Citizen Artists in Ljubljana includes four david K. photographs, the culmination of many years of work and study of IRWIN / NSK motifs and influences. In addition, the works were framed by IRWIN in the <i>Was Ist Kunst?</i> style described in a previous post. </div><div style="text-align: center;"><br />
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</div><div style="text-align: center;"><a href="http://www.facebook.com/l.php?u=http%3A%2F%2Fwww.siol.net%2Fkultura%2Fdogodki%2F2011%2F11%2Fnsk_folk_art.aspx&h=WAQE0CollAQGZTWAdWsPUYAcHHC_NoF3BpxQSk5z0EPfWkw">http://www.siol.net/kultura/dogodki/2011/11/nsk_folk_art.aspx</a></div><div style="text-align: center;"><br />
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</div>david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.comtag:blogger.com,1999:blog-1233838087098254406.post-65060179618618393172011-08-28T20:34:00.001-04:002011-08-28T17:08:19.916-04:00GONDOLATOK A KÖNYVTÁRBAN<div style="text-align: center;"><br />
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</div></div><div style="text-align: center;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">Works by david K in an exhibition opening August 2011 at the</div></div><div style="text-align: center;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><br />
</div></div><div style="text-align: center;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span style="font-size: large;">Raday Konyveshaz & Gallery, Budapest</span></div></div><div style="text-align: center;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><br />
</div></div><div style="text-align: center;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">analyzing the relationship</div></div><div style="text-align: center;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">between the library and technology:</div></div><div style="text-align: center;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><br />
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</div></div><div align="center" style="text-align: center;"></div>david Khttp://www.blogger.com/profile/01405943332427654576noreply@blogger.com