STUDIO WORK: NSK ELECTRONIC TRANSIT VISA

Exemplar of a series of prints being created in conjuction with the

NSK valise project (collaboration with the Retrogarde Reading Room):

The increased usage of QR codes with smart phones inspired the creation of

a means to electronically connect seamlessly with web elements of the NSK State.

This is a fully functional code to direct the traveler / citizen

to www.nskstate.com, though its efficacy as such on brown paper is yet untested.

FIELD WORK: THE CUSHING COLLECTION

Photographs from a visit to the Cushing Collection

Harvey Cushing, MD that is, though they suggest

a bit of Peter Cushing as well...



LEONARDO CHALLENGE

Photograph from 2010 Berlin series in the

New Haven Eli Whitney Museum

Leonardo Challenge:

cccb|cccp: Berlin Plate Glass

2010

Chromogenic photograph on Fuji Crystal Archive paper

10 x 8 inches



INTERFACE-GALLERY, HAYAKA ARTI: TÜRKIYE

Selection of abstractive photographs now on view at

INTERFACE-GALLERY

PUBLICATION: BURNER MAGAZINE



Burner Magazine

ISSUE NO. 3

Music Issue

(dAVID K. photo on page 71)

Kudos to the band PAN!C and to William Larson for letting me light his house on fire.

EXHIBITION: LAB A.D.

BRIDGE FOR EMERGING CONTEMPORARY ART

INTERNATIONAL CENTER FOR ART + DESIGN

Albuquerque NM

February 4 - 18, 2011

'Rubaiyat of Omar Khayyam: (Production Still)'
Metallic Chromogenic Print
10 x 8 inches
2009 - 2011

STUDIO WORK: AERONAUTICAL SUPREMATISM

Suprematist shapes modeled after runway patterns

Acrylic, black china marker and graphite on

aeronautical chart of New Mexico

Approx. 24 x 36 inches

2011



STUDIO WORK: CONEY ISLAND



EXHIBITION: WORKING IN WONDER, WALSH GALLERY

Working in Wonder

Walsh Gallery, Seton Hall University
January 18 – February 11, 2011
Opening Reception: January 27^th, 2011

Symposium: Modern/Contemporary Art and the Curiosity Cabinet, February 5^th, 2011, 10:00AM

Working in Wonder” includes artwork in various media by artists that have been inspired by the Curiosity Cabinet, a historical era of collecting occurring between 1500 and 1700.  The exhibit explores the connection between man-made and natural objects or artificialia and naturalia.

Excerpt from exhibition catalogue:

"David K.Thompson forms analagous comparisons in Compendium: Ceci n'est pas une Coquille, which expose the farcical nature of truth and fact.  Like Osti and Perrin, Thompson works subversively , with 'official language' to convey his message."



STUDIO WORK: MALEVICH

Exploration of IRWIN-esque NSK Malevich motifs:

NSK Motif: Untitled Red Suprematism / Flemish Portrait

Screenprint on found object (book page)

12 x 9 inches

2010